137 bars of 4/4 at a walking 94 BPM, 5:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-44 and 55-59 -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 117, 118, 126, 129, 130, 135 and 2 more.
137 bars across 20 sections: 89 keep time, 8 are fills, 5 are stops and 14 are silent. The longest unbroken stretch of time is bars 36-46.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
137 bars, about 5:50 at the written tempo. The course breaks it into 59 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 117, 118, 126, 129, 130, 135 and 2 more.