104 bars of 4/4 at a walking 105 BPM, 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-29, 31 and 45-51, and 2 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 25 times: bars 21, 22, 30, 32, 33, 34 and 19 more.
6 more fills are written out on the fills page.
104 bars across 13 sections: 55 keep time, 25 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 93-99.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
104 bars, about 3:58 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 21, 22, 30, 32, 33, 34 and 19 more.