137 bars of 4/4 at 154 BPM, about 3:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 17 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 43 times: bars 8, 12, 16, 18, 20, 22 and 37 more.
13 more fills are written out on the fills page.
137 bars across 14 sections: 51 keep time, 43 are fills, 27 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-7.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
137 bars, about 3:34 at the written tempo. The course breaks it into 55 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 43 times: bars 8, 12, 16, 18, 20, 22 and 37 more.