155 bars of 4/4 at 141 BPM, about 4:24 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 42-43, and 15 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 17 times: bars 24, 48, 56, 80, 88, 96 and 11 more.
4 more fills are written out on the fills page.
155 bars across 7 sections: 129 keep time, 17 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-23.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
155 bars, about 4:24 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 24, 48, 56, 80, 88, 96 and 11 more.