200 bars of 4/4 at 152 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-40, 66-72 and 98-104, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 24, 65, 73, 97, 105, 146 and 3 more.
200 bars across 13 sections: 149 keep time, 9 are fills, 28 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-23.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
200 bars, about 5:16 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 24, 65, 73, 97, 105, 146 and 3 more.