50 bars of 4/4 at a walking 95 BPM, 2:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 34-36, and 1 more place -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 12 and 41.
50 bars across 9 sections: 35 keep time, 2 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 22-29.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
50 bars, about 2:06 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 12 and 41.