156 bars at 210 BPM -- fast, and 2:58 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 20 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 30 times: bars 6, 8, 10, 11, 12, 27 and 24 more.
12 more fills are written out on the fills page.
156 bars across 17 sections: 92 keep time, 30 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 110-123.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
156 bars, about 2:58 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 30 times: bars 6, 8, 10, 11, 12, 27 and 24 more.