50 bars of 4/4 at 135 BPM, about 1:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5 and 7-9 -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 6, 10, 12, 14, 16, 22 and 11 more.
7 more fills are written out on the fills page.
50 bars across 7 sections: 25 keep time, 17 are fills and 2 are silent. The longest unbroken stretch of time is bars 17-21.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 84 out of 100; the rest of the number is everything around it.
50 bars, about 1:29 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 6, 10, 12, 14, 16, 22 and 11 more.