127 bars of 4/4 at 120 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 24, 28 and 83-84, and 2 more places -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 46 times: bars 1, 2, 4, 5, 6, 8 and 40 more.
15 more fills are written out on the fills page.
127 bars across 16 sections: 36 keep time, 46 are fills, 21 are stops and 10 are silent. The longest unbroken stretch of time is bars 48-52.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
127 bars, about 4:13 at the written tempo. The course breaks it into 66 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 46 times: bars 1, 2, 4, 5, 6, 8 and 40 more.