137 bars of 4/4 at 125 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 29, and 4 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 28 times: bars 4, 10, 12, 16, 24, 28 and 22 more.
20 more fills are written out on the fills page.
137 bars across 19 sections: 60 keep time, 28 are fills, 26 are stops and 6 are silent. The longest unbroken stretch of time is bars 47-53.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
137 bars, about 4:15 at the written tempo. The course breaks it into 69 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 28 times: bars 4, 10, 12, 16, 24, 28 and 22 more.