127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 95-101 and 103-109 -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 16, 18, 20, 22, 25, 26 and 14 more.
10 more fills are written out on the fills page.
127 bars across 13 sections: 82 keep time, 20 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 96-109.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 58 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 16, 18, 20, 22, 25, 26 and 14 more.