176 bars of 4/4 at a walking 94 BPM, 7:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-48, 50-52 and 54-56, and 18 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 7, 20, 21, 28, 29, 37 and 27 more.
13 more fills are written out on the fills page.
176 bars across 13 sections: 67 keep time, 33 are fills, 59 are stops and 3 are silent. The longest unbroken stretch of time is bars 30-36.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
176 bars, about 7:29 at the written tempo. The course breaks it into 50 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 7, 20, 21, 28, 29, 37 and 27 more.