86 bars of 4/4 at 150 BPM, about 2:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-32, 35-40 and 48, and 1 more place -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 24, 25, 70, 71, 78 and 79.
86 bars across 11 sections: 58 keep time, 6 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 31-40.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
86 bars, about 2:18 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 24, 25, 70, 71, 78 and 79.