177 bars of 4/4 at 140 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 10-16 and 18-24, and 4 more places -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 18 times: bars 9, 17, 25, 33, 34, 35 and 12 more.
177 bars across 9 sections: 129 keep time, 19 are fills and 21 are silent. The longest unbroken stretch of time is bars 125-176.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
177 bars, about 4:33 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 18 times: bars 9, 17, 25, 33, 34, 35 and 12 more.