90 bars of 4/4 at a walking 95 BPM, 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-11, 13-19 and 31-37, and 1 more place -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 20 times: bars 12, 20, 24, 28, 30, 38 and 14 more.
6 more fills are written out on the fills page.
90 bars across 8 sections: 56 keep time, 20 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 5-11.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
90 bars, about 3:37 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 12, 20, 24, 28, 30, 38 and 14 more.