139 bars of 4/4 at a walking 100 BPM, 4:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 11-17, 19-26 and 45-51, and 3 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 27 times: bars 18, 34, 38, 42, 52, 60 and 21 more.
8 more fills are written out on the fills page.
139 bars across 11 sections: 76 keep time, 27 are fills, 13 are stops and 13 are silent. The longest unbroken stretch of time is bars 100-108.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
139 bars, about 4:53 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 18, 34, 38, 42, 52, 60 and 21 more.