199 bars of 4/4 at 128 BPM, about 6:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-49, 55-57 and 91-99, and 7 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 8, 16, 22, 24, 30, 32 and 26 more.
10 more fills are written out on the fills page.
199 bars across 21 sections: 140 keep time, 32 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 157-167.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
199 bars, about 6:13 at the written tempo. The course breaks it into 63 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 8, 16, 22, 24, 30, 32 and 26 more.