304 bars of 4/4 at 132 BPM, about 8:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 108-114, 161-168 and 275-281 -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 52 times: bars 35, 37, 39, 41, 49, 69 and 46 more.
19 more fills are written out on the fills page.
304 bars across 24 sections: 150 keep time, 57 are fills, 47 are stops and 20 are silent. The longest unbroken stretch of time is bars 56-64.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
304 bars, about 8:28 at the written tempo. The course breaks it into 99 exercises over 30 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 52 times: bars 35, 37, 39, 41, 49, 69 and 46 more.