124 bars of 8/4 -- not four -- at 160 BPM, 5:40 of playing on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 47-64 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 6 and 12 more.
1 more fill is written out on the fills page.
124 bars across 6 sections: 46 keep time, 18 are fills, 1 is a stop and 52 are silent. The longest unbroken stretch of time is bars 48-63.
160 BPM, in 8/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
124 bars, about 5:40 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 6 and 12 more.