155 bars of 4/4 at 120 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 7 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 12, 16, 49, 78, 139, 143 and 1 more.
155 bars across 17 sections: 103 keep time, 7 are fills and 38 are silent. The longest unbroken stretch of time is bars 26-44.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
155 bars, about 5:10 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 12, 16, 49, 78, 139, 143 and 1 more.