141 bars of 4/4 at 140 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-21, 29-34 and 67-72, and 2 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 98 and 141.
141 bars across 17 sections: 102 keep time, 2 are fills and 24 are silent. The longest unbroken stretch of time is bars 99-134.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
141 bars, about 4:02 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 98 and 141.