150 bars of 4/4 at 140 BPM, about 4:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5-17 and 31, and 2 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 1 time: bar 150.
150 bars across 14 sections: 120 keep time, 1 is a fill and 20 are silent. The longest unbroken stretch of time is bars 124-149.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
150 bars, about 4:17 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 150.