200 bars of 3/4 -- not four -- at 91 BPM, 6:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 84-90, 92-98 and 101, and 7 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 24, 28, 32, 52, 56, 60 and 16 more.
6 more fills are written out on the fills page.
200 bars across 26 sections: 140 keep time, 22 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 85-107.
91 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 47 out of 100; the rest of the number is everything around it.
200 bars, about 6:36 at the written tempo. The course breaks it into 85 exercises over 31 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 24, 28, 32, 52, 56, 60 and 16 more.