105 bars of 4/4 at a walking 77 BPM, 5:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27-28, and 5 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 32 times: bars 19, 22, 29, 40, 50, 54 and 26 more.
7 more fills are written out on the fills page.
105 bars across 14 sections: 47 keep time, 32 are fills, 5 are stops and 15 are silent. The longest unbroken stretch of time is bars 41-49.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
105 bars, about 5:02 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 19, 22, 29, 40, 50, 54 and 26 more.