168 bars of 4/4 at 150 BPM, about 4:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 8-19, 30-36 and 46-52, and 2 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 20, 21, 37, 57, 65, 96 and 15 more.
8 more fills are written out on the fills page.
175 bars across 17 sections: 108 keep time, 21 are fills, 19 are stops and 10 are silent. The longest unbroken stretch of time is bars 128-140.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
168 bars, about 4:28 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 20, 21, 37, 57, 65, 96 and 15 more.