109 bars of 4/4 at 120 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 35-36 and 40, and 11 more places -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 19 times: bars 22, 28, 34, 37, 38, 41 and 13 more.
5 more fills are written out on the fills page.
109 bars across 12 sections: 55 keep time, 19 are fills, 5 are stops and 22 are silent. The longest unbroken stretch of time is bars 52-61.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
109 bars, about 3:38 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 22, 28, 34, 37, 38, 41 and 13 more.