98 bars of 3/4 -- not four -- at 140 BPM, 2:21 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-18, 20-23 and 25-28, and 5 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 13, 33, 34, 41, 42, 54 and 8 more.
4 more fills are written out on the fills page.
98 bars across 4 sections: 20 keep time, 14 are fills, 49 are stops and 12 are silent. The longest unbroken stretch of time is bars 67-73.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
98 bars, about 2:21 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 13, 33, 34, 41, 42, 54 and 8 more.