111 bars, 7:31, at 59 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 7 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 7, 9, 34, 58, 71, 72 and 5 more.
3 more fills are written out on the fills page.
111 bars across 10 sections: 51 keep time, 11 are fills, 1 is a stop and 38 are silent. The longest unbroken stretch of time is bars 99-111.
59 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
111 bars, about 7:31 at the written tempo. The course breaks it into 31 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 7, 9, 34, 58, 71, 72 and 5 more.