105 bars at 160 BPM -- fast, and 2:37 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-13, 31-37 and 79-85 -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 30 times: bars 4, 6, 14, 22, 30, 38 and 24 more.
14 more fills are written out on the fills page.
108 bars across 4 sections: 28 keep time, 30 are fills, 41 are stops and 7 are silent. The longest unbroken stretch of time is bars 7-13.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
105 bars, about 2:37 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 30 times: bars 4, 6, 14, 22, 30, 38 and 24 more.