117 bars at 180 BPM -- fast, and 2:36 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-40, 42-49 and 84-90, and 1 more place -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 25, 32, 33, 41, 50, 51 and 4 more.
1 more fill is written out on the fills page.
117 bars across 6 sections: 74 keep time, 14 are fills and 22 are stops. The longest unbroken stretch of time is bars 100-117.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
117 bars, about 2:36 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 25, 32, 33, 41, 50, 51 and 4 more.