95 bars of 4/4 at a walking 99 BPM, 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-11, 25-31 and 43-49 -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 32, 50 and 78.
95 bars across 10 sections: 73 keep time, 4 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-15.
99 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 49 out of 100; the rest of the number is everything around it.
95 bars, about 3:50 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 32, 50 and 78.