135 bars of 4/4 at 130 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 15 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 50 times: bars 4, 11, 13, 15, 18, 22 and 44 more.
7 more fills are written out on the fills page.
135 bars across 11 sections: 74 keep time, 50 are fills and 1 is silent. The longest unbroken stretch of time is bars 109-116.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
135 bars, about 4:03 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 50 times: bars 4, 11, 13, 15, 18, 22 and 44 more.