238 bars of 4/4 at 143 BPM, about 6:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 17 and 19, and 11 more places -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 94 times: bars 11, 12, 14, 16, 18, 20 and 88 more.
22 more fills are written out on the fills page.
238 bars across 18 sections: 69 keep time, 94 are fills, 19 are stops and 36 are silent. The longest unbroken stretch of time is bars 24-28.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
238 bars, about 6:32 at the written tempo. The course breaks it into 71 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 94 times: bars 11, 12, 14, 16, 18, 20 and 88 more.