89 bars of 4/4 at a walking 100 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 65-67, and 1 more place -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 24 times: bars 4, 8, 16, 18, 20, 24 and 18 more.
11 more fills are written out on the fills page.
89 bars across 14 sections: 50 keep time, 24 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 33-39.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
89 bars, about 3:34 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 4, 8, 16, 18, 20, 24 and 18 more.