139 bars at 172 BPM -- fast, and 3:21 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 73-75, 81-83 and 85, and 2 more places -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 41 times: bars 1, 2, 3, 4, 5, 6 and 35 more.
11 more fills are written out on the fills page.
139 bars across 11 sections: 78 keep time, 41 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 87-99.
172 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
139 bars, about 3:21 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 1, 2, 3, 4, 5, 6 and 35 more.