56 bars, 3:04, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 13, 17 and 19, and 5 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 30 times: bars 1, 2, 3, 5, 9, 11 and 24 more.
12 more fills are written out on the fills page.
56 bars across 6 sections: 21 keep time and 30 are fills.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
56 bars, about 3:04 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 30 times: bars 1, 2, 3, 5, 9, 11 and 24 more.