112 bars of 3/4 -- not four -- at 71 BPM, 4:48 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-19, 23-28 and 32, and 8 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 23 times: bars 21, 29, 30, 43, 44, 45 and 17 more.
9 more fills are written out on the fills page.
112 bars across 9 sections: 66 keep time, 23 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 92-101.
71 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
40 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
112 bars, about 4:48 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 21, 29, 30, 43, 44, 45 and 17 more.