156 bars of 4/4 at 152 BPM, about 4:04 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-34, 114-118 and 120-127, and 1 more place -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 16, 18, 43, 64, 66, 67 and 13 more.
2 more fills are written out on the fills page.
156 bars across 21 sections: 94 keep time, 19 are fills, 17 are stops and 7 are silent. The longest unbroken stretch of time is bars 114-127.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
156 bars, about 4:04 at the written tempo. The course breaks it into 63 exercises over 18 sittings, about 28 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
6 fills to learn, played 19 times: bars 16, 18, 43, 64, 66, 67 and 13 more.