275 bars of 4/4 at 151 BPM, about 7:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-39, 42-52 and 65-75, and 1 more place -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 40, 41, 53, 54, 64, 76 and 2 more.
1 more fill is written out on the fills page.
275 bars across 16 sections: 189 keep time, 8 are fills, 15 are stops and 47 are silent. The longest unbroken stretch of time is bars 79-109.
151 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
275 bars, about 7:25 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 40, 41, 53, 54, 64, 76 and 2 more.