115 bars of 4/4 at 136 BPM, about 3:23 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31, 33-35 and 37-39, and 7 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 12, 14, 20, 24, 32, 36 and 14 more.
3 more fills are written out on the fills page.
115 bars across 10 sections: 45 keep time, 20 are fills, 33 are stops and 8 are silent. The longest unbroken stretch of time is bars 69-77.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
115 bars, about 3:23 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 12, 14, 20, 24, 32, 36 and 14 more.