272 bars of 4/4 at 138 BPM, about 7:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-30, 36-38 and 68-74, and 6 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 93 times: bars 13, 14, 15, 16, 17, 18 and 87 more.
28 more fills are written out on the fills page.
272 bars across 41 sections: 119 keep time, 93 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 5-12.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
272 bars, about 7:47 at the written tempo. The course breaks it into 119 exercises over 35 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 93 times: bars 13, 14, 15, 16, 17, 18 and 87 more.