203 bars of 3/4 -- not four -- at 140 BPM, 5:02 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 110-111, 114 and 118-119, and 9 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 72, 73, 74, 75, 76, 95 and 13 more.
4 more fills are written out on the fills page.
208 bars across 15 sections: 113 keep time, 19 are fills, 18 are stops and 41 are silent. The longest unbroken stretch of time is bars 80-94.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
203 bars, about 5:02 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 72, 73, 74, 75, 76, 95 and 13 more.