150 bars of 4/4 at 150 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 10-15 and 102-108, and 2 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 1, 9, 16, 17, 25, 33 and 14 more.
7 more fills are written out on the fills page.
150 bars across 16 sections: 107 keep time, 20 are fills and 10 are stops. The longest unbroken stretch of time is bars 66-73.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
150 bars, about 4:00 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 1, 9, 16, 17, 25, 33 and 14 more.