225 bars of 4/4 at 150 BPM, about 5:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7, 57-58 and 61-63, and 12 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 40 times: bars 8, 24, 28, 39, 40, 44 and 34 more.
14 more fills are written out on the fills page.
233 bars across 20 sections: 115 keep time, 40 are fills, 41 are stops and 16 are silent. The longest unbroken stretch of time is bars 150-159.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
225 bars, about 5:49 at the written tempo. The course breaks it into 72 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 8, 24, 28, 39, 40, 44 and 34 more.