85 bars of 4/4 at a walking 100 BPM, 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-8, 17-20 and 29-32 -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 16, 24, 28 and 65.
85 bars across 12 sections: 53 keep time, 4 are fills, 1 is a stop and 17 are silent. The longest unbroken stretch of time is bars 51-64.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
85 bars, about 3:55 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 16, 24, 28 and 65.