61 bars of 4/4 at 120 BPM, about 2:02 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 5, 6, 22, 29, 37, 38 and 7 more.
1 more fill is written out on the fills page.
61 bars across 10 sections: 26 keep time, 13 are fills, 5 are stops and 10 are silent. The longest unbroken stretch of time is bars 45-53.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
61 bars, about 2:02 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 5, 6, 22, 29, 37, 38 and 7 more.