65 bars of 4/4 at 150 BPM, about 1:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 23-26, 29-32 and 35-38 -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 7, 9, 10, 11, 12, 59 and 3 more.
65 bars across 6 sections: 43 keep time, 9 are fills and 6 are stops. The longest unbroken stretch of time is bars 24-37.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
65 bars, about 1:42 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 7, 9, 10, 11, 12, 59 and 3 more.