120 bars at 170 BPM -- fast, and 2:49 of it without a break -- on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 15 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 20, 35, 36, 56, 71, 72 and 4 more.
120 bars across 9 sections: 72 keep time, 10 are fills, 24 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-49.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
120 bars, about 2:49 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 20, 35, 36, 56, 71, 72 and 4 more.