126 bars of 4/4 at a walking 87 BPM, 5:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 40-42, 44-46 and 68-70, and 2 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 31, 35, 59, 110, 114, 118 and 3 more.
3 more fills are written out on the fills page.
132 bars across 18 sections: 88 keep time, 9 are fills, 3 are stops and 15 are silent. The longest unbroken stretch of time is bars 15-25.
87 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
126 bars, about 5:43 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 31, 35, 59, 110, 114, 118 and 3 more.