147 bars of 4/4 at 140 BPM, about 4:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-13, 15-17 and 19-21, and 10 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 35 times: bars 1, 2, 10, 26, 27, 28 and 29 more.
10 more fills are written out on the fills page.
147 bars across 13 sections: 93 keep time, 35 are fills and 2 are stops. The longest unbroken stretch of time is bars 11-25.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
147 bars, about 4:12 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 35 times: bars 1, 2, 10, 26, 27, 28 and 29 more.